The Criterion Collection
May 30, 2025 — The director discusses her path from neuroscience to cinema and the childhood memory that inspired her short August Visitor, a film about culture and intergenerational understanding.
The Daily
May 29, 2025 — The rise of fascism upended the childhoods of both filmmakers.
May 27, 2025 — Suffused with slapstick humor and slightly surreal wit, Richard Lester’s beloved take on a frequently adapted adventure epic embodies a style of extravagant filmmaking that didn’t survive long past the 1970s.
May 27, 2025 — A landmark of independent cinema, Charles Burnett’s debut feature captures daily life in Watts, Los Angeles, with a depth and precision that evokes the history of Black American music.
The Daily
May 27, 2025 — The triumphant return of Jafar Panahi capped off what many consider to be a terrific year at Cannes.
The Daily
May 23, 2025 — We’re in the mood for Wong Kar Wai, Kira Muratova, Carl Theodor Dreyer, Alan Rudolph, and Dag Johan Haugerud.
May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.
The Daily
May 20, 2025 — Cannes 2025: Sirāt and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.
The Daily
May 14, 2025 — The festival presents new restorations of films by Chantal Akerman, Charles Burnett, John Ford, and James Ivory.