The Criterion Collection
The Daily
Nov 29, 2018 — First Reformed, Eighth Grade, Roma, and The Rider emerge as early favorites.
Essays
Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.
The Daily
Nov 9, 2018 — This week has seen appreciations of such disparate figures as Ida Lupino, André Bazin, and F. J. Ossang.
Oct 22, 2018 — With her a capella take on the Rolling Stones’ “As Tears Go By,” the singer turns a brief moment in one of Godard’s most playful films into a reflection on loss.
Oct 15, 2018 — John Grant is an Iceland-based musician who has sold out Royal Albert Hall and performed at Glastonbury, Latitude Festival, and elsewhere. Following the demise of his first band, the Czars, Grant left music entirely for over five years, only to...
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
Sep 24, 2018 — This faithful screen adaptation of Lorraine Hansberry’s legendary play explores a wide range of perspectives on working-class black life, and over the years has inspired reactions just as diverse.
Sneak Peeks
Sep 16, 2018 — Olivier Assayas revived the spirit of the 1970s in one of cinema’s most evocative party sequences, which serves as the centerpiece of his acclaimed 1994 film.
The Daily
Aug 30, 2018 — A solid first round of reviews for the Venice opener—and for Ryan Gosling’s performance as Neil Armstrong.