What a Way to Go!

Oct 25, 2022 — One of the few American films of its era directed by a Black woman, Kasi Lemmons’s feature debut advances a critique of patriarchy and asks questions about gender and sexuality that still resonate today.

May 26, 2022 — The top awards at this year’s Critics’ Week go to stories of young people with uncertain futures.

May 2, 2022 — MoMA and the Harvard Film Archive present a program of more than forty overlooked features.

Apr 19, 2022 — Vittorio De Sica’s neorealist fable deploys barbed humor and surreal flourishes to depict class solidarity and human kindness in postwar Italy.

Apr 6, 2022 — A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.

Mar 7, 2022 — Maggie Gyllenhaal’s first feature as a writer and director wins three top prizes—and praise from novelist Elena Ferrante

Feb 23, 2022 — In the 1961 screen adaptation of Lorraine Hansberry’s classic play, the actor radiantly embodies the conflicting impulses that define the character of Beneatha Younger—a modern woman filled with hope and longing.

Feb 2, 2022 — Forever associated with Antonioni, the Italian actress cut loose in the 1970s.

Jan 31, 2022 — What have the critics been saying about this year’s winners?

Jan 10, 2022 — The writer and director was on top of the world before the going got tough.