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† A Man for All That

Mar 12, 2021 Deep Dives I can think of few movies that express the pain of being young better than Hiroshi Teshigahara and Kobo Abe’s Ako (1964). I first happened upon it by chance, lurking among the supplements on the Criterion edition of...

Masters in Pieces

The Daily

Feb 12, 2021 This week we’re revisiting Tarkovsky, catching up with Shelley Duvall, and listening to Edgar Wright and Quentin Tarantino talk movies.

Jan 25, 2021 First Person The release of Rogue One: A Star Wars Story—the first film of the Star Wars anthology series, and a major occasion for many Star Wars fans—on December 16, 2016, was preceded by a much larger event on November...

Jan 15, 2021 Songbook 1.There is music in Hirokazu Kore-eda’s Still Walking that arises from the home itself. It sounds like eddies of conversation around a kitchen counter, as persistent as the crackle of frying oil. It sounds like the patter, so similar...

Dec 29, 2020 Channel Calendars The stars are aligned for the first month of the New Year on the Criterion Channel. We’re pleased to be kicking off 2021 with a tribute to Jane Fonda, whose greatest hits reflect her multifaceted career as a political activist...

Oct 21, 2020 The subject of two new biographies, the Hollywood icon is being celebrated in his hometown.

Oct 13, 2020 I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...

September Books

The Daily

Sep 23, 2020 From Hitchcock’s orbit to The Architecture of Cinematic Spaces, here’s some of this month’s best writing on new books.

Sep 16, 2020 Glenn Kenny’s new book on Scorsese’s Goodfellas scores raves and Coppola has been tinkering with The Godfather again.

Aug 11, 2020 I’ve often found that the most successful short films and short stories apply what Ernest Hemingway called the “iceberg theory,” distilling a larger narrative into a very specific moment that allows audiences to infer the bigger picture in their own...

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