Woman

Dec 9, 1985 — Movie thrillers may come and go, but after half a century, Alfred Hitchcock’s The 39 Steps still reigns supreme. And not only for the sheer, breathless excitement of the story; the seamless construction; the chilling, beautifully realized atmosphere; and the...

Jan 7, 1985 — King Kong is unique in motion picture history. In the 51 years since its original release, its particular combination of unbridled imagination and ingenious craftsmanship have never been equalled. Not only has it stood the test of time, but King...

Jul 9, 2018 — The product of consummate artistry and savvy promotion, Marlene Dietrich’s salacious image opened up erotic frontiers for a generation of moviegoers.

Feb 15, 2017 — Some of cinema’s most revered directors enjoyed extraordinary bursts of creative energy during their twilight years, delivering films that showcase a mastery of the craft they had honed over their long careers. This week on the Criterion Channel, our eight-film...

Dec 7, 2016 — Repertory PicksThis weekend, the Indiana University Cinema screens Costa-Gavras’s 1969 thriller Z as part of an ongoing series of films selected by the university’s president. Loosely inspired by the 1963 assassination of Greek left-wing activist Gregoris Lambrakis, this Oscar-winning classic...

Nov 11, 2016 — The DailyLegendary French cinematographer Raoul Coutard, who created some of the most indelible images in film history, has passed away at the age of ninety-two. The BFI pays tribute to him by republishing an article from the winter 1965–1966 issue...

Apr 22, 2016 — Writer Harold Schechter shares a list of five true-crime films that encapsulate the essence of fear—including collection favorites In Cold Blood, The Honeymoon Killers, and Badlands—in the Library of America’s biweekly Moviegoer column.

Feb 10, 2016 — Regular Criterion Collection contributor :: kogonada explores the innovative cinematic lexicon Godard developed in the fifteen features he made between 1960 and 1967.

Mar 16, 2009 — Dave Kehr heralds the rediscovery of “the oceanic depth and diversity of Japanese cinema” in recent years, “thanks in no small part to home video,” in a lovely New York Times piece on the latest example of that, Eclipse Series...