The Criterion Collection
Sep 11, 2018 — There is a brief, nearly throwaway scene early in Olivier Assayas’s Cold Water (1994) that testifies to the transcultural power of rock and roll. In an apartment outside Paris in 1972, we see two teenage brothers wrestling over a portable...
On the Channel
Sep 10, 2018 — One of the pleasures of programming a new short-and-feature pairing every week on the Criterion Channel is getting to celebrate the artistic freedom that short films offer emerging artists. With tighter run times and smaller budgets, the form comes with...
Sep 7, 2018 — F ew filmographies encapsulate the rebellious spirit of American cinema in the seventies better than that of Hal Ashby, who crafted an astonishing string of movies that stretched across the span of the decade. Finding success as an editor early...
On the Channel
Sep 5, 2018 — It took a while for Paul Feig—the director behind such smash-hit comedies as Bridesmaids and Spy—to come around to the darker side of cinema. Back in his college days, the filmmaker appreciated the superior technique of the dramas and foreign films he saw in his...
The Daily
Aug 27, 2018 — Theater and movie audiences laughed at his one-liners throughout the 1960s and ’70s.
Aug 26, 2018 — Tomás Gutiérrez Alea brought cinema to the center of Cuban society with this richly ambiguous portrait of postrevolutionary Havana.
The Daily
Aug 24, 2018 — Film Studies for Free turns ten, BlacKkKlansman sparks debate—and more.
The Daily
Aug 16, 2018 — Crazy Rich Asians aims to prove that a major release with a majority Asian cast can fly at the box office.
The Daily
Aug 13, 2018 — Looking back on the highlights of the seventy-first edition.
Aug 7, 2018 — Can creative genius flourish on the federal dime? Animator Norman McLaren’s remarkably innovative, government-funded films suggest it can.