Aug 8, 2023 Premiering in competition, Do Not Expect Too Much from the End of the World is an immediate critical favorite.

Aug 7, 2023 In a tribute to Elvis Presley that aired on Turner Classic Movies, Kurt Russell says that “an Elvis movie is always worth watching because of Elvis.” This insight gets at a core truth about a much maligned and mostly dismissed...

Aug 7, 2023 The BFI calls Saltburn, starring Barry Keoghan, “a beautifully wicked tale of privilege and desire.”

Aug 4, 2023 Look who’s talking: Carl Franklin, Claire Simon, Ira Sachs, Jim Jarmusch, Sally Potter, Laura Citarella, Christoph Hochhäusler . . .

Aug 3, 2023 Starting Friday, New York’s Metrograph will screen new restorations of Gueule d’amour (1937) and The Strange Mister Victor (1938).

Aug 1, 2023 “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

Jul 31, 2023 Featuring restorations of films by Chaplin, Henry King, Frank Borzage, Allan Dwan, the Museum’s series starts Wednesday.

Jul 28, 2023 This week: Stephanie Zacharek’s hundred favorites, Peter Wollen on the British New Wave, and a conversation with Hong Sangsoo.

Jul 27, 2023 The Museum of the Moving Image celebrates fifty years of hip-hop with a twelve-film series.

Japan Cuts 2023

The Daily

Jul 26, 2023 Anime, family drama, Roman Porno: New York’s Japan Society presents a wide-ranging showcase of recent Japanese cinema.

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