Time Has Come

Oct 28, 2025 — Selections from the independent Cannes sidebar will screen in New York and Los Angeles.

Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.

Oct 24, 2025 — We’re revisiting work by Ken Russell, Chantal Akerman, Billy Wilder, and Abel Ferrara.

Oct 21, 2025 — Set in a postcard-perfect American town, David Cronenberg’s provocative take on the old-fashioned crime thriller examines the pleasure we derive from cinematic violence and the construction of patriarchal impunity.

Oct 1, 2025 — In his second stop-motion feature, Wes Anderson grapples with what it means to acknowledge one another within systems that separate beings between pet and master, wild and tamed.

Sep 29, 2025 — Notes on new studies of David Lynch and Stanley Kubrick and biographies of Jane Birkin and Terrence Malick.

Sep 23, 2025 — Josh O’Connor stars in the heist movie that slips into another genre entirely.

Sep 18, 2025 — No movie star was bigger in the 1970s, and he won an Oscar for directing Ordinary People. But Sundance may be his most impactful legacy.

Sep 18, 2025 — This month’s programs offer a feast of horror, including a John Carpenter retrospective and a collection of the most terrifying films of the 2000s.

Sep 8, 2025 — Father Mother Sister Brother and The Voice of Hind Rajab win top awards in Venice.