Acuérdate de vivir/Remember to Live

Jun 24, 2014 — One of the most important contributions Peter Davis’s Hearts and Minds makes to our national dialogue on the Vietnam War is its portrayal of ordinary Vietnamese. For years, the Vietnamese had been conspicuous by their absence in American film and...

Jun 23, 2014 — The mysteries of Picnic at Hanging Rock live on, even for the director himself. In this excerpt from a 2003 interview on our new special edition of the film, Peter Weir reminisces about how the project first came to him...

Jun 23, 2014 — Peter Davis’s provocative, Oscar-winning Hearts and Minds, released to the American public in 1974, is that rare documentary whose truths and relevance have been underlined and amplified by the passage of time. The title is derived from President Lyndon B....

Apr 22, 2014 — Carl Theodor Dreyer’s spare and modern visual style perfectly complements this comic and soulful domestic comeuppance story.

Dec 17, 2013 — Prepare yourself for The Housemaid. Available in our new collector’s set Martin Scorsese’s World Cinema Project, Kim Ki-young’s twisted little tale, about a bourgeois family whose lives are thrown into dangerous disarray by the arrival of a live-in domestic, throws...

Aug 19, 2013 — This moving drama about gender, race, and class in 1960s Kolkata is a pioneering work from Satyajit Ray.

Aug 13, 2013 — John Frankenheimer burrows into the insidious side of the American sixties in his visually dazzling thriller.

Jun 28, 2013 — Did You See This?• The Times of Harvey Milk, Weekend, and other essential LGBT cinema • The Hitchcock 9 are here. • Badlands inspires a book of photographs. • Proving 8½’s influence • Remembering a stellar sci-fi scribe • The...

Dec 5, 2012 — The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...