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Jul 7, 2016 — In honor of the director, we look back at his quintessentially American narratives.

Apr 5, 2016 — As voters in the great state of Wisconsin head to the polls to take part in this year’s presidential primary election, we share some scenes from Robert Drew’s 1960 film, which documented the primary race between Hubert Humphrey and John...

Jan 1, 2014 — This January 1, we present a red and black sketch to keep you guessing for the year ahead.

Nov 17, 2011 — We met award-winning actor Alec Baldwin on Twitter (@AlecBaldwin) and asked him to contribute a Criterion Top 10. His response was immediate and enthusiastic. Baldwin’s film credits include Beetlejuice, Miami Blues, Glengarry Glen Ross, The Royal Tenenbaums, The Cooler (for...

Nov 20, 2008 — We asked director Rian Johnson, whose “high school noir” Brick was one of the most acclaimed films of 2006, what his favorite Criterion releases were. Johnson wrote to us: “I'm a huge Criterion fan. My first exposure to many of...

Gregory Zinman is an associate professor in the Department of Film and Media at Emory University. His writing on film and media has appeared in the New Yorker, the Atlantic, and October, among other publications. He is the author of...

Jeff Chang is a cultural critic and the author of Can’t Stop Won’t Stop: A History of the Hip-Hop Generation, Who We Be: A Cultural History of Race in Post–Civil Rights America, and We Gon’ Be Alright: Notes on Race...

Sep 24, 2020 — Under the Influence Certain movies have such a profound impact on us in our formative years that they go on to resonate in unexpected ways throughout our lives. For Miranda July, one such film is Steven Soderbergh’s sex, lies, and videotape (1989), which...

Oct 25, 2019 — It was a very long road to theaters for the Oscar-winning documentary When We Were Kings, a rousing record of a legendary boxing match, and a testament to the infectious energy, sly humor, and strong social conscience of Muhammad Ali....

Jan 6, 2016 — Celebrated English playwright, actor, screenwriter, and composer Noël Coward brought us many cinema classics, but his relationship with the medium was far from straightforward, as Coward scholar Barry Day explains in a post at Literary Hub.