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The Battle

Telluride 2018

The Daily

Aug 30, 2018 World premieres, the best of the fests, and half a dozen classics selected by guest director Jonathan Lethem.

Lineup Pileup

The Daily

Jul 24, 2018 Yorgos Lanthimos will open the NYFF, and Claire Denis’s High Life will be among the world premieres in Toronto.

Dec 12, 2017 “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...

Sep 17, 2017 Matteo Garrone’s gritty portrait of the Neapolitan Mafia draws on a lineage of Italian crime films dating back to Francesco Rosi’s trailblazing Salvatore Giuliano.

Jul 8, 2017 A number of projects in the works have been announced since Thursday’s overall roundup, and we begin with Michael O'Connell for the Hollywood Reporter: “Ava DuVernay is adapting the story of the ‘Central Park Five’ for Netflix. The multihyphenate, currently...

Apr 19, 2017 Fresh off her successful collaboration with George Cukor on The Philadelphia Story, Katharine Hepburn secured her comeback after a brief career slump with George Stevens’s 1942 Woman of the Year. This clever battle-of-the-sexes comedy—which marked the actor’s first on-screen partnership...

Jun 28, 2016 When Stanley Kubrick bought the motion picture rights to the 1958 thriller Red Alert, by the retired Royal Air Force navigator Peter George, he meant to direct an action film about a nuclear war triggered by a solitary madman. Some...

Feb 9, 2016 Jan Troell’s narration of one Swedish couple’s arduous journey to America portrays the migratory quality of marriage—of “finding that you think of this person who is not you, or this place that is not the land of your birth, as...

Nov 20, 2012 For a brief, shining moment, the genteel Japanese studio mutated into a fun house of grim ghouls and slimy aliens.

Aug 30, 2012 In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.

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