Fresh off her successful collaboration with George Cukor on The Philadelphia Story, Katharine Hepburn secured her comeback after a brief career slump with George Stevens’s 1942 Woman of the Year. This clever battle-of-the-sexes comedy—which marked the actor’s first on-screen partnership with Spencer Tracy, with whom she would go on to make eight more films and share a decades-long romantic relationship—follows the story of two newspaper reporters who fall in love and get married, only to realize that their lives may not be as compatible as they had imagined. Our new edition, out this week on Blu-ray and DVD, features writer Claudia Roth Pierpont discussing how the film gave Hepburn the chance to exude the sexuality that had been latent in her previous work. In the excerpt below, Pierpont details the ways in which the star’s intimate involvement in the project helped shape its direction.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.