Russian Lullabies

Apr 13, 2018 — Soviet filmmaker Sergei Parajanov explored his Transcaucasian roots in this visually spectacular and wonderfully strange ode to the Armenian poet Sayat-Nova.

Apr 11, 2018 — The Cannes Film Festival has announced the lineup for its seventy-first edition, running from May 8 through 19. Artistic director Thierry Frémaux has declared that this year’s Official Selection represents “a great renewal,” a new generation of filmmakers reflecting the...

Apr 10, 2018 — New York. A new 4K restoration of Liquid Sky opens at the Quad on Friday. “At last,” writes Alan Scherstuhl in the Village Voice, “after sitting out the DVD and streaming eras, Slava Tsukerman’s 1982 neon-fired New Wave New York...

Apr 4, 2018 — On what would have been his eighty-sixth birthday, we’re celebrating Andrei Tarkvosky’s legacy with a look back at some of the essays and videos we’ve published on his work.

Apr 4, 2018 — The sixty-first San Francisco International Film Festival opens tonight with Silas Howard’s A Kid Like Jake, and when it premiered at Sundance, IndieWire’s David Ehrlich called it “very much a ‘White People Problems’ movie, but it’s also a lot more...

Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

Mar 30, 2018 — Kim Jee-woon (The Good, the Bad, the Weird) has completed production on Inrang (working title), a remake of Hiroyuki Okiura’s 1999 animated thriller Jinroh: The Wolf Brigade (image above), reports Korean Film News (via Rubén Collazos at Cine maldito). “Set...

Mar 24, 2018 — Just a day or two after Stephen Hawking left us on March 14, Isaac Butler called up Errol Morris for Slate to talk about A Brief History of Time (1991), the documentary that takes it title from Hawking’s surprise bestseller....

Mar 14, 2018 — “How could I have written a longish book on 1940s Hollywood and have devoted so little space to Casablanca?” asks David Bordwell. The book is Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling, and “I suppose I neglected Warners’ evergreen...

Mar 12, 2018 — After Paula Prentiss, who’s recently turned eighty, had a nervous breakdown on the set of What’s New, Pussycat? (1965), she “didn’t turn up in another movie until Mike Nichols’s Catch-22 (1970), by which time Hollywood had changed to the point...