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Apr 18, 2012 Born in Queens, New York, American television writer and producer Phil Rosenthal is best known as the creator of the hit sitcom Everybody Loves Raymond, which ran on CBS for nine seasons; he is also the director of the 2010...

Apr 10, 2024 Oksana Karpovych’s second feature juxtaposes images of a ravaged Ukraine with the voices of Russian soldiers.

May 19, 2022 As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.

May 19, 2019 Critics are finding the young Russian director’s second feature to be bleak yet irresistibly masterful.

Designing for del Toro

Criterion Designs

Oct 26, 2016 When putting together the Criterion editions of Guillermo del Toro’s films, we assembled a talented group of artists, including Hellboy creator Mike Mignola, del Toro collaborator Guy Davis, comic book creator Becky Cloonan, and Russian artist Vania Zouravliov.

Jun 16, 2009 In Tempo di viaggio (1983), the doodle Andrei Tarkovsky and Tonino Guerra made for Italian TV as they prepped Nostalghia, the great struggling Russian answers a question about genre films by saying that his Solaris (1972) is “not so good,”...

Sep 17, 2007 I set out on my first trip to the Toronto Film Festival ready to feast on films and spend relaxed, indulgent, quality time with writers I work with, or hope to work with, as the editorial director here at Criterion....

Mark Le Fanu teaches film at University College London. He has written extensively about Russian and Japanese cinema. His most recent book, Believing in Film: Christianity and Classic European Cinema (Bloomsbury, 2018), has just been issued in paperback.

Vida T. Johnson is professor of Russian film and culture at Tufts University and the co-author, with Graham Petrie of The Cinema of Andrei Tarkovsky: A Visual Fugue, Indiana University Press, 1994.

Ian Christie is a film historian, curator, broadcaster, and professor of film and media history at Birkbeck College, University of London. He has written and edited many books on Russian, British, and American cinema—including Arrows of Desire: The Films of...

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