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Naai Sekar Returns

May 1, 2015 In his first feature, Jean-Pierre Melville found subtly radical ways to adapt Vercors's underground French novel about quiet resistance against the German occupation.

Apr 28, 2015 Jean-Pierre Melville’s Le silence de la mer is undoubtedly one of the most assured film debuts of all time; an adaptation of an underground novel by Jean Bruller, written (under the pseudonym Vercors) during the Nazi occupation of France, the...

Mar 19, 2015 The author recalls his encounters and correspondence with the filmmaker.

Mar 11, 2015 More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neo­realism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella...

Dec 11, 2014 Italian director Liliana Cavani’s The Night Porter, about the sadomasochistic bond reignited after World War II between a former Nazi commandant (Dirk Bogarde) and a concentration camp prisoner (Charlotte Rampling)—shocked audiences on its release in 1974 for its eroticism and...

Dec 9, 2014 Liliana Cavani’s tale of the sadomasochistic bond between an ex-SS officer and a former concentration camp prisoner is a transgressive take on history and fascism.

May 13, 2014 Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...

Mar 4, 2014 The great documentarian Claude Lanzmann’s new movie, made from footage he didn’t use in Shoah, provides a fascinating glipse at the way he began that monumental project.

Feb 28, 2014 The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...

Feb 18, 2014 The immediacy of an ongoing war electrifies Alfred Hitchcock’s suspenseful second Hollywood feature.

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