The Criterion Collection
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
Interviews
Nov 18, 2015 — On the night of the New York premiere of Gaspar Noé’s controversial new film Love, his 3D cinematic sex odyssey, the French-Argentine provocateur stopped by Criterion with the film’s star, Aomi Muyock.
Essays
Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?
May 29, 2012 — A watershed film in Bergman’s career, this tale of a woman caught between the past and present is a masterful study in darkness and light.
Dec 17, 2025 — Spike Lee captures the democratic spirit and the galvanizing, near-spiritual feeling of togetherness at the heart of David Byrne’s acclaimed stage production.
Essays
Feb 18, 2025 — In her mainstream breakthrough, director Joan Micklin Silver envisions New York City through the eyes of a complicated, searching woman trying to figure out her place in the world.
May 11, 2021 — Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.
Aug 3, 2020 — Songbook “You’ve probably heard that one before, but what the hell. If it was never new, and it never gets old, then it’s a folk song.” first spoken dialogue in Inside Llewyn Davis The coldest murder in the Coen Brothers...
Features
May 27, 2020 — Walking, like breathing, is something we do without thinking, an activity so commonplace that pedestrian has as its second meaning uninspired, ordinary, dull. Movies, however, reveal this action as more than just the original mode of getting from here to...
Jun 11, 2018 — Building on a rich lineage of gothic fairy tales and noirish melodramas, this lavishly stylized curio has an ominous beauty all its own.