Four Times that Night

Apr 20, 2018 — Krzysztof Zanussi is currently in post-production on Ether, “a psychological drama with a Faust-inspired motive, set at the beginning of the 20th Century in Galicia, about a military doctor experimenting with science in order to get power over people,” reports...

Mar 14, 2018 — Bette Davis struck a blow against expectations of pliant female loveliness and grace with her role as a no-nonsense teacher in The Corn Is Green.

Jul 6, 2016 — The screenwriter and director chats about the origins of his 2015 debut feature, Les cowboys, the differing experiences of being a screenwriter and a director, and his voracious consumption of cinema.

Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...

Mar 26, 2012 — A Night to Remember, the 1958 British film adaptation of Walter Lord’s 1955 book about the brief life and agonizing death of the Titanic, has proven unsinkable. With its Olympian yet unfailingly life-size view of the disaster that scuttled illusions...

Dec 15, 2015 — Burroughs: The Movie, the culmination of late director Howard Brookner’s NYU thesis project, follows William S. Burroughs over the course of five years and provides “an authorial profile such as has never been and may never be matched.”

Jun 5, 2014 — The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.

Jul 20, 2026 — The tenth-anniversary edition of Bristol’s festival offers restorations, walks, workshops, games, and a free interactive exhibition.

Apr 20, 2026 — For half a century, she was, as Emmanuel Macron put it, “a constant presence in French cinema.”