The Criterion Collection
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
The Daily
Jan 14, 2025 — There’s a Delphine Seyrig retrospective on in New York and another will open at the Harvard Film Archive on Friday.
The Daily
Aug 20, 2024 — Delon brought to the films of Melville, Visconti, Deray, and Losey one of the most beautiful faces in all of cinema.
Jul 15, 2022 — In her last significant film role, the art-house icon reveals an emotional vulnerability previously hidden by her ethereal persona.
The Daily
Oct 20, 2021 — The range this month stretches from the silent era to this weekend’s launch of The Liberated Film Club.
Oct 16, 2019 — Deep Dives “I have a feeling that the really crucial moments in a film should be wordless,” the Bengali filmmaker Satyajit Ray once said. He was speaking of his 1964 masterpiece Charulata, whose action consists largely of soulful looks passing...
The Daily
Dec 14, 2017 — Emotion Pictures: International Melodrama is a sixty-two film series now running at the Film Society of Lincoln Center in New York through January 7. “Sam Fuller famously defined cinema as ‘emotion,’ and just about every variety of it may be...
Oct 6, 2026 — A dystopian drama that draws on the influences of African mythology and hip-hop, Ngozi Onwurah’s debut feature uses a mix of speculative forms to expose anti-Blackness as a system that underpins the modern world.
The Daily
May 12, 2026 — Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.
The Daily
Sep 13, 2024 — Will we ever see Ezra Edelman’s Prince documentary? Plus Chantal Akerman, Demi Moore, and the waning of “elevated horror.”