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May 9, 2018 — Under the Influence In 1988, David Simon was a journalist shadowing detectives at the Baltimore Police Department for his first book, Homicide: A Year on the Killing Streets. On midnight shifts, one of the sergeants would regularly screen movies for his squad,...

May 9, 2018 — Cannes’s Opening Night film is met with a first round of lukewarm reviews.

May 8, 2018 — Horror movies are often understood as products of the imagination, but in the case of Caroline Monnet and Daniel Watchorn’s work, the conventions of the genre are grounded in stories of real-life injustice. Set in a Canadian residential school for...

May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.

May 7, 2018 — And it’s May ’68 all over again in New York, D.C., and London. Plus Bergman in L.A., Tarkovsky in San Sebastián, and more.

May 6, 2018 — Cannes 2018 One of the major highlights of the ongoing, year-long celebration of the 100th anniversary of the birth of Ingmar Bergman will be the presentation of a 4K restoration of The Seventh Seal (1957) as part of this year’s...

May 4, 2018 — Cannes 2018 Long Day’s Journey Into Night, courtesy of Wild Bunch This year marks two notable anniversaries for Un Certain Regard. The section, which runs parallel to the competition at the Cannes Film Festival, was inaugurated forty years ago, in...

May 3, 2018 — This morning Criterion.com went offline for a few hours, and we bid farewell to the version of the site that has been our sturdy home on the internet for more than a decade. The new site has been a labor of love,...

May 3, 2018 — Depth, beauty, curiosity—what gave luminous French star Danielle Darrieux staying power across eight decades? Critic Farran Smith Nehme looks for the answer in two films from opposite ends of her career.

May 1, 2018 — Cairo is “the city that made me what I am,” says Tamer El Said.