The Black Ghiandola

Nov 18, 2016 — For Film Comment, Marc Walkow surveys the career of director Tomu Uchida, currently the subject of a retrospective at the Museum of Modern Art. Like many commercial Japanese directors of his era, Uchida has long been underappreciated in the West,...

Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.

Feb 25, 2016 — Repertory PicksFrom now until April 25, Emory University’s Emory Cinematheque in Atlanta will be hosting the series French New Waves: Classics and Rediscoveries. In addition to seminal works of the nouvelle vague, the series will be showcasing some celebrated precursors...

Feb 16, 2016 — In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.

Dec 10, 2015 — Repertory PicksOver the next two weeks, the Bryn Mawr Film Institute will present a series called Fatal Vision: The Cinema of Roman Polanski, Pt.1, highlighting Polanski’s early European art films and timed to complement a film studies course of the...

Oct 15, 2015 — Sophia Loren and Marcello Mastroianni are cast against type—and funnyman director Ettore Scola gets serious—in this humane drama set in Fascist Italy.

Oct 7, 2015 — It’s night in the desert. Mike (River Phoenix), a teenage hustler given to bouts of narcolepsy, and Scott (Keanu Reeves), a slumming preppy prince, are huddled over a campfire. “I just want to kiss you, man,” says Mike softly. The...

Dec 10, 2014 — Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.

Oct 16, 2014 — This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...

Oct 8, 2014 — Eraserhead is a dark movie—literally. In this excerpt from a new interview on our special edition release of the film, director of photography Frederick Elmes discusses David Lynch’s approach to lighting his high-contrast black-and-white breakthrough, which you sometimes have to...