Be Great!

Mar 17, 2010 — Congratulations to yesterday’s winner, Caroline! Caroline’s pick for a work of Western literature she wishes Kurosawa had adapted was Oedipus Rex: I would love to have seen Kurosawa do Sophocles’s Oedipus Rex. Honestly, I think that he is the only...

Mar 16, 2010 — More than a decade after his death in 1997, the moment is right for the rediscovery of the work of Marco Ferreri. “I think he’s modern. More than modern, in fact,” frequent collaborator Marcello Mastroianni once remarked, encapsulating how far...

Mar 8, 2010 — Congratulations to Friday’s winner, Dan! Dan’s caption for this screenshot from Throne of Blood was: The Emperor initially resisted the switch from plastic bags to cloth. March is Akira Kurosawa month at Criterion. On the twenty-third, the great Japanese filmmaker...

Mar 5, 2010 — Congratulations to yesterday’s winners, Joe and Michael! Joe’s Hollywood-style tagline for Ikiru was: This summer: Death is only the beginning. And Michael’s, for Rashomon, was: He said. She said. He said. He said. March is Akira Kurosawa month at Criterion....

Mar 2, 2010 — If the harrowing, formally daring Hunger, just out in Criterion Blu-ray and DVD editions, left you wanting to deepen your acquaintance with director Steve McQueen’s visceral imagery, you’re in luck, at least if you live in the New York area....

Feb 23, 2010 — Like many other French cinephiles, I discovered Make Way for Tomorrow relatively late, although we had been interested in Leo McCarey for years. We had hunted down his Laurel and Hardy pictures, adored Duck Soup, the best of the Marx...

Feb 17, 2010 — The feature film debut of British artist Steve McQueen, Hunger dramatizes the final weeks in the life of Irish Republican Army commander Bobby Sands and his death by hunger strike, aged twenty-seven, in 1981. Combining intense formal control and extreme...

Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...

Feb 5, 2010 — Robert Altman: The Oral Biography (Knopf) begins with an epigram that pretty well sums up Altman’s attitude toward “truth” and “realism” in cinema and life. “I don’t think anybody remembers the truth, the facts,” the great filmmaker said. “You remember...

A delicate hand, effervescent humor, and an economy with words and images define this German director, who became a legendary figure in Hollywood comedy.