The Criterion Collection
Essays
Oct 31, 2023 — With the full force of her imagination, director Nikyatu Jusu examines the complicated nature of Black motherhood, as well as the importance of Black communion as an antidote to racial oppression.
The Daily
Oct 30, 2023 — Halloweenish movies from France will screen every Tuesday in New York through mid-December.
The Daily
Oct 27, 2023 — We’re revisiting Infernal Affairs, Lisandro Alonso’s Los muertos, and some of the first reviews posted at Reverse Shot.
Oct 26, 2023 — Ever since he began working with the Miami-based film festival and collective Third Horizon in 2016, Jonathan Ali has been finding ways of celebrating Caribbean cinema and how it captures the irreducible complexity of the region and its diaspora. He...
The Daily
Oct 25, 2023 — What, awards season already? All of Us Strangers leads with four, followed by Past Lives and A Thousand and One, with three each.
The Daily
Oct 24, 2023 — The season brings Barbra Streisand’s memories, the “joyously vulgar” Burton and Taylor, and the story of Siskel and Ebert.
Oct 24, 2023 — A beautiful, intense woman stands in a large, dusky room, lit only by an oil lamp, her eyes wide in concern and something not far from panic, her eyebrows tremulously registering every thought and fear that passes through her mind,...
Oct 19, 2023 — Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...
The Daily
Oct 18, 2023 — You don’t have to believe every word in Herzog’s memoir to get a kick out of it.