The Criterion Collection
May 25, 2023 — One of the first hit movies made by an Asian American team, They Call Me Bruce confronts everyday racism with irreverent humor emblematic of its era.
The Daily
May 24, 2023 — Two of Cannes’s favorite directors, Aki Kaurismäki and Wes Anderson, return to the competition.
The Daily
May 22, 2023 — Drawing freely from the novel by the late Martin Amis, Glazer emphasizes the horror of what we do not see.
On the Channel
May 22, 2023 — Get in character for a journey through the history of Method acting, a movement that transformed the art of screen performance forever.
The Daily
May 19, 2023 — Take a break from Cannes with Eric Rohmer, the Dardennes, Patrice Chéreau, Joanna Hogg, and Matthew Barney.
The Daily
May 17, 2023 — Now that Jeanne du Barry has opened this year’s edition, critics look ahead to the movies they’re anticipating most.
Essays
May 16, 2023 — Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.
The Daily
May 12, 2023 — This week: Swiss anarchists, Spanish analogue filmmakers, Warren Sonbert, and Jerzy Skolimowski.
The Daily
May 10, 2023 — The critic and memoirist expands on her 2017 essay “What Do We Do with the Art of Monstrous Men?”
Apr 27, 2023 — Over the course of her four-decade career, the pioneering Indian documentary filmmaker has demonstrated the important roles that joy and pleasure play in the process of political change.