The Follow

Aug 14, 2012 — The Dardennes threw down the gauntlet for a new type of unadorned dramatic storytelling with their breakthrough tale of a working-class boy’s fraught coming-of-age.

May 22, 2011 — We received the sad news that Leonard Kastle, director of The Honeymoon Killers, passed away on Wednesday at his home in Westerlo, NY, at the age of eighty-two. In addition to writing and directing that film, Mr. Kastle was an...

Jul 27, 2009 — We enter Roman Polanski’s harrowing Repulsion as if in the middle of the story, but it’s actually the beginning of the end. Polanski unceremoniously drops us into a beauty salon where a pampered matron takes to task our heroine, a...

Oct 21, 2019 — Songbook If you weren’t a devotee of the Cantopop world in the early 1990s, the casting of Faye Wong in Wong Kar-wai’s Chungking Express (1994) may not have caught your attention. Starring in her first major role, the singer looked...

Mar 14, 2014 — Did You See This?• A Felliniesque life • A primer on African-American movie history • Errol Morris on the resuscitated A Brief History of Time • Vivian Kubrick’s photos of working with her dad • Winding through Wes Anderson’s world...

Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.

Jun 14, 2012 — Repertory PicksThe legendary Monterey International Pop Festival happened forty-five years ago this weekend. It featured one of the most amazing lineups ever—Jimi Hendrix, Janis Joplin, Otis Redding, the Who, the Mamas & the Papas, Ravi Shankar, and so many more....

May 23, 2012 — Iranian master director Abbas Kiarostami voyaged to Italy to make a film that questions love, relationships, and Western art cinema.

Mar 27, 2012 — Noël Coward and David Lean created a patriotic diptych with their first two films: In Which We Serve, from 1942, about the bravery and sacrifice of British sailors and those who love them, and the 1944 This Happy Breed, on...

Jan 17, 2012 — “I felt they showed more of me than they’d said they were going to,” Catherine Deneuve remarked to Pascal Bonitzer in 2004, about the making of Luis Buñuel’s 1967 Belle de jour. “There were moments when I felt totally used....