The Criterion Collection
Feb 22, 2017 — Portraits of family dysfunction don’t get much more brutal than Michael Curtiz’s 1945 Mildred Pierce, which features Joan Crawford in an Oscar-winning performance that revived her career. Adapted from James M. Cain’s psychological novel, the film injects hard-boiled suspense into...
Feb 13, 2017 — One Scene Romantic love is poignant because it is an infinite feeling that exists in a finite frame. And Richard Linklater’s Before Trilogy is the most romantic and profound of love stories because it imbues love with the weight of...
Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.
In Theaters
Feb 9, 2017 — Repertory PicksStarting tomorrow, New York’s Japan Society will host a weekend-long celebration of actor Meiko Kaji, whose vigorous performances as outlaw women made her one of Japan’s biggest stars in the sixties and seventies. On Saturday, you can see her...
Feb 2, 2017 — In her just-released Sundance hit The Lure, Agnieszka Smoczyńska evokes both the decadence and decrepitude of 1980s Poland through the adventures of Silver and Gold, two man-eating mermaid sisters who decide to go terrestrial and soon become a nightclub singing...
Jan 30, 2017 — Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.
Jan 27, 2017 — Did You See This? In a new interview with Film Comment, Polish cinematographer Slawomir Idziak discusses his collaborations with Krzysztof Kieślowski and his transition to working on Hollywood films like Gattaca and Black Hawk Down. “After the unexpected explosion of...
Features
Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.
Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.
Jan 6, 2017 — Did You See This? With Alain Resnais’s Muriel, or The Time of Return now streaming on FilmStruck, Leo Robson explores how this radical meditation on memory “invites broader questions about what happens when we return to a movie: Is rewatching...