The Criterion Collection
Essays
May 22, 2006 — Luis Buñuel’s merciless satire concerns the smallness of our vision of progress and our narrow attempts to achieve it through rational or moralistic planning.
Aug 22, 2005 — Featuring a brilliant, idiosyncratic performance by Michel Simon, Jean Renoir’s early comedy is a commendation of loitering as the antidote to efficiency and perfection.
Essays
Jun 13, 2005 — Godard’s famous claim that Au hasard Balthazar is “the world in an hour and a half” suggests how dense, how immense Bresson’s brief, elliptical tale about the life and death of a donkey is. The film’s steady accumulation of incident,...
Essays
Nov 26, 2001 — Peter Weir’s first film to be released in America insists on the tangible power of spiritual life.
Essays
Oct 15, 2001 — The music in Benjamin Christensen’s classic constantly refers to something deeper, creating a sort of deep pity in preparation for the ending of the film.
Essays
Jun 21, 1999 — Despite what you may have heard, Armageddon is a work of art by a cutting-edge artist who is a master of movement, light, color, and shape—and also of chaos, razzle-dazzle, and explosion. (It was no surprise to me to learn...
The Daily
Nov 5, 2021 — This week heads in all directions—noir, musicals, and the avant-garde.
Apr 9, 2013 — David Cronenberg and William S. Burroughs: it was a meeting of the mutant minds years in the making.