Aug 20, 2001 Carl Dreyer’s 17th-century period piece leaves all major questions frustratingly unresolved yet vibrantly open, quivering and radiant with life and meaning.

Playtime

Essays

Jun 3, 2001 Jacques Tati’s singular satire is a series of giddy encounters between people and things in which the wonders of “modern life” relinquish their functionality in favor of an unaccountably rapturous beauty.

Apr 23, 2001 In 1955, Jules Dassin, an American director in exile in Paris, made this flat-out perfect piece of cinema. The film came as a redemption for Dassin: a one-time promising young director cranking out B-movies under an MGM contract ("They were...

The Blob

Essays

Nov 13, 2000 Featuring what may be the only 1950s monster that could not be destroyed, this cult classic warns parents to listen to their kids because the world they understood and controlled is over.

Aug 28, 2000 Alberto Lattuada’s gifts for dramatic narrative were joined for the first and last time with Federico Fellini’s flair for cartoonish satire and lyrical sentiment.

Jun 26, 2000 Brief Encounter was the fourth and final film that David Lean made in association with Noël Coward. Derived from Still Life, a one-act play which Coward included in the portmanteau Tonight 8:30, the story tells of a suburban housewife, Laura...

Le Million

Essays

May 15, 2000 In René Clair’s ebullient early talkie, an unsentimental love of humanity permeates every frame.

Jan 10, 2000 The Night Porter is a provocative and problematic film. Made in 1974 by Italian director Liliana Cavani, it can be seen as an exercise in perversion and exploitation of the Holocaust for the sake of sensationalism. On the other hand,...

Autumn Sonata

Essays

Dec 31, 1999 As a tour de force of screen acting, Autumn Sonata stands unchallenged as the finest work of Ingmar Bergman’s last few years as a movie director. Fanny and Alexander may have won the Oscars, but Autumn Sonata represents Bergman’s chamber...

Sep 27, 1999 In And the Ship Sails On, I needed a large exterior to paint, so I used the wall of the Pantanella pasta factory. It was where my father, Urbano Fellini, had worked when he passed through Rome on his way...

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