Aug 22, 2023 In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in 
Swedish Film—in which Widerberg...

Aug 14, 2023 Defying pressure from Iran, Locarno didn’t just screen Ali Ahmadzadeh’s Critical Zone; the festival also gave it its top award.

Aug 7, 2023 In a tribute to Elvis Presley that aired on Turner Classic Movies, Kurt Russell says that “an Elvis movie is always worth watching because of Elvis.” This insight gets at a core truth about a much maligned and mostly dismissed...

Aug 1, 2023 “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

Jul 31, 2023 Featuring restorations of films by Chaplin, Henry King, Frank Borzage, Allan Dwan, the Museum’s series starts Wednesday.

Jul 25, 2023 Venice packs more than a few surprises, and Toronto’s announced sixty Gala and Special Presentations.

Jul 12, 2023 The award-winning actor talks about training with Lee Strasberg, her involvement in the Actors Studio, and her on- and off-screen contributions to two of her most important films.

Jun 27, 2023 With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.

Bresson and Marker

The Daily

Jun 26, 2023 The Cinemateca Brasileira programs an odd pairing, but it all comes together in 1983.

Jun 20, 2023 Two young San Francisco residents navigate the potential for romance and their opposing views on race in Barry Jenkins’s moving debut feature.

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