Apr 29, 2025 A black-and-white version of Julian Schnabel’s portrait of his fellow artist and friend Jean-Michel Basquiat accentuates the film’s melancholy mood while highlighting the deep commitment of Jeffrey Wright’s performance.

Mar 31, 2025 The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.

Jan 30, 2025 The next four days see the spotlights hit Frederick Wiseman, Jerry Schatzberg, Chantal Akerman, and more.

Oct 15, 2024 This jolt of delicious weirdness from Japanese New Wave master Masahiro Shinoda is both a reverent salute to Kabuki and a self-consciously postmodern take on its traditions.

Sep 20, 2024 With their virtuosic celebrations of death, giallo films reflect the air of paranoia and fear that haunted Italian society in the 1960s and ’70s, a period when the country was undergoing dramatic, violent changes.

Telluride 2024

The Daily

Sep 4, 2024 The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.

Jun 20, 2024 All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.

May 28, 2024 In Karyn Kusama’s award-winning feature debut, Michelle Rodriguez delivers a smoldering performance as a young woman who finds in boxing a container for her grief, loss, and rage.

May 16, 2024 Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.

April Books

The Daily

Apr 24, 2024 This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.

Current Page
22
of 33

You have no items in your shopping cart