The Criterion Collection
May 27, 2025 — Suffused with slapstick humor and slightly surreal wit, Richard Lester’s beloved take on a frequently adapted adventure epic embodies a style of extravagant filmmaking that didn’t survive long past the 1970s.
May 27, 2025 — A landmark of independent cinema, Charles Burnett’s debut feature captures daily life in Watts, Los Angeles, with a depth and precision that evokes the history of Black American music.
The Daily
May 21, 2025 — Lee reunites with Denzel Washington, who has been given an honorary Palme d’Or in Cannes.
May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.
The Daily
May 13, 2025 — Here’s a sampling of what we can look forward to in each of the festival’s programs.
The Daily
May 6, 2025 — A two-part, thirty-film retrospective opens in New York before traveling to Berkeley, Harvard, Toronto, and Vancouver.
Apr 30, 2025 — Elena Gorfinkel has written a new study of Loden’s groundbreaking feature and curated a season for the BFI.
The Daily
Apr 29, 2025 — The festival of experimental cinema will spotlight Ashish Avikunthak and the late Kumar Shahani.
Apr 29, 2025 — A gritty look at New York City’s underground economy through the eyes of an immigrant street hustler, Sean Baker’s third feature film demonstrates his gift for combining hardscrabble social realism and mischievous humor.
Essays
Apr 29, 2025 — Drawing from a rich tradition of films that depict the lives of sex workers, Sean Baker’s Oscar-winning triumph takes a complex approach to exploring the fundamentally transactional nature of human relationships.