The We and the I

Apr 30, 2025 — Elena Gorfinkel has written a new study of Loden’s groundbreaking feature and curated a season for the BFI.

Mar 21, 2025 — Along with conversations with David Cronenberg, Alain Guiraudie, and Lemohang Jeremiah Mosese, the week offers a dossier on “the cinema of the senses.”

Jan 31, 2025 — As an Australian classic turns fifty, we’re also reading about Leos Carax and Catherine Breillat.

Jan 10, 2025 — This week: Eisenstein’s diaries, Godard’s artworks, Mike Leigh’s characters, and Sidney Poitier’s late work.

Nov 5, 2024 — As a composer, arranger, producer, and perhaps above all, connector, Jones was one of the most vital artists of the past seventy years.

Oct 7, 2024 — The winner of the Grand Prix in Cannes is a portrait of three women in Mumbai—and at a crossroads in their lives.

Aug 20, 2024 — Delon brought to the films of Melville, Visconti, Deray, and Losey one of the most beautiful faces in all of cinema.

Aug 8, 2024 — The two fall festivals will present films by Mohammad Rasoulof, Mike Leigh, Dea Kulumbegashvili, and Hong Sangsoo.

Jun 25, 2024 — Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

Jun 6, 2023 — The Hungarian filmmaker will give introductions and take questions during retrospectives hosted by the American Cinematheque and Film at Lincoln Center.