Ignasi M.

Mar 28, 2022 — At once euphoric and elegiac, Martin Scorsese’s concert documentary captures the members of the Band on the brink of spiritual and physical collapse as they mount their transcendent final send-off.

Mar 28, 2022 — Rosine Mbakam’s documentaries are exercises in reconfiguring relations of power. Her first three nonfiction features are all portraits of Cameroonian women, each of whom is invited to participate in coconstructing a cinematic space of testimony, candor, and expressive autonomy. Filmed...

Mar 28, 2022 — Despite wins to celebrate, the Oscars got off on the wrong foot—and then took a turn for the worse.

Mar 25, 2022 — This week’s reads include a survey of this year’s contenders, a look back to the last big sweep, and interviews with Wayne Wang and Valentyn Vasyanovych.

Mar 24, 2022 — Yes, it’s a trip to the moon, but mostly, it’s a lovingly detailed recollection of being a kid in Houston in the summer of 1969.

Mar 22, 2022 — This month’s roundup opens with news of forthcoming titles on the work of Pasolini, Kubrick, Sofia Coppola, and Bong Joon Ho.

Mar 22, 2022 — In Robert Aldrich’s epic disaster film, James Stewart leads a pack of temperamentally different men as they struggle to survive in the face of the unknown—a template that would go on to influence Hollywood blockbusters for decades to come.

Mar 18, 2022 — Ukrainian cinema, suspense vs. dread, and the opposite of synesthesia are on our minds this week.

Mar 18, 2022 — With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.

Mar 16, 2022 — The dark shadow of Putin’s war hangs over much of this year’s program.