A Son

Sep 21, 2016 — An exhilarating blend of noir and splatter-flick tropes, the Coen brothers’ debut feature established their unique brand of cosmic fatalism.

Sep 16, 2016 — Did You See This? Over at The Quietus, director Joe Dante selects his thirteen favorite films, including David Lynch’s Mulholland Dr., Preston Sturges’s Sullivan’s Travels, and Ernst Lubitsch’s To Be or Not to Be. Angelo Badalamenti sits down with Vulture...

Aug 18, 2016 — Beloved Hollywood veteran Arthur Hiller passed away yesterday at the age of ninety-two. In a career that spanned five decades and more than thirty films, he demonstrated remarkable versatility, with credits ranging from Neil Simon comedies (The Out-of-Towners, Plaza Suite)...

Jul 21, 2016 — Interweaving wartime footage with haunting images of abandoned concentration camps, Alain Resnais’s breakthrough was one of the first films to confront the ravages of the Holocaust.

Jul 12, 2016 — Herk Harvey’s influential, low-budget horror classic Carnival of Souls is an eerie exploration of the mutability of place and the purgatorial state of dreaming.

Nov 28, 2015 — We had some fun making the main menu for our new release of D. A. Pennebaker's groundbreaking documentary Dont Look Back. The menu’s video, a two-minute loop composed of rare footage from the film, is structured around an outtake of...

Sep 24, 2015 — More light is about to be shed on the era of Bob Dylan’s career immortalized in D. A. Pennebaker’s Dont Look Back. The latest installment of Dylan’s Bootleg Series has just been announced for a November 6 release, and it...

Mar 25, 2015 — Long unheralded and at last rediscovered, actor-director Robert Montgomery’s Ride the Pink Horse is one of the key Hollywood features of 1947, the year film noir flooded the screen like a ruptured reservoir of India ink. Adapted from the popular...

Feb 3, 2015 — Jean-Luc Godard returned to the character-driven intensity of his earlier films with this satirical but serious-minded take on men, women, and money.

Jan 20, 2015 — Here he is: the real, unreal Guy Maddin, in his phantasmagorical, polymathic stew of sex, memory, and dreams.