The Drama

Apr 9, 2014 — As Emily Watson told us in an interview for our release of Breaking the Waves, which comes out next week, she had “hardly been in front of a camera ever before” when she shot Lars von Trier’s devastasting and explicit...

May 29, 2013 — The beginning of Mike Leigh’s new audio commentary track for Criterion’s release of his poignant domestic comedy-drama Life Is Sweet is just too charming not to share here. In these first few minutes, which span the film’s opening credits, the...

May 9, 2012 — The paradox of the biopic is that the need to give fictional characters the kind of messy, defining behavior that makes them ring true—makes them, in the vocabulary of development, “relatable”—is usually overlooked when an actual life is condensed into...

Apr 4, 2012 — Michelangelo Antonioni changed the landscape of art cinema with his breakout L’avventura. Achingly beautiful and mysterious as a deep, dark cave, this chronicle of a disappearance and the illicit affair that rises in its wake opened in New York on...

Mar 16, 2009 — This long-underappreciated giant of Japanese cinema was an innovative visual stylist and a born storyteller who preferred to make films about outsiders.

Oct 15, 2007 — One of Spain’s most acclaimed and prolific directors, Carlos Saura emerged as an artist in the late 1950s under Franco’s dictatorship and immediately made his mark as an incisive, if necessarily allusive, social and political commentator.

Nov 6, 2006 — The circumstances of our first encounters with movies are often as memorable as the movies themselves. Sometimes the juxtaposition of movie and circumstance seems merely accidental; but there are those films that change us enough that we can identify the...

Aug 14, 2006 — In terms of consistency of both the content and form of his films, Eric Rohmer is without a doubt one of the most distinctive auteurs in the history of cinema. As with the work of Yasujiro Ozu, within min­utes—seconds, even—of...

Jun 27, 2005 — Ko Nakahira’s Nikkatsu Studio youth flick helped transform postwar Japanese cinema.

Oct 4, 2004 — Robert Altman’s political satire, broadcast on HBO in mostly half-hour segments during the 1988 campaign season, is a sort of trompe l’oeil video chronicle of the constantly surprising presidential fight of an obscure Michigan Democratic congressmen.