Seven

Oct 15, 2015 — Sophia Loren and Marcello Mastroianni are cast against type—and funnyman director Ettore Scola gets serious—in this humane drama set in Fascist Italy.

Oct 15, 2015 — Arnaud Desplechin stopped by for a visit and dispensed a few of his gems of wisdom.

Oct 7, 2015 — It’s night in the desert. Mike (River Phoenix), a teenage hustler given to bouts of narcolepsy, and Scott (Keanu Reeves), a slumming preppy prince, are huddled over a campfire. “I just want to kiss you, man,” says Mike softly. The...

Sep 23, 2015 — Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.

Sep 22, 2015 — To celebrate the French New Wave’s eternal muse Anna Karina on her seventy-fifth birthday, here’s a behind-the-scenes image from her former husband Jean-Luc Godard’s Vivre sa vie, which gave her one of her greatest roles.

Sep 3, 2015 — Wes Craven, who died this week at age seventy-six, was a horror master with few equals in contemporary American movies. The director of A Nightmare on Elm Street and Scream may not often be spoken of in the same breath...

Sep 2, 2015 — The cuddliest of the New American Cinema auteurs of the seventies was born on this day in 1929. Hal Ashby’s output from that decade never loses its ability to astonish; bookended by two of the era’s great social-minded comedies, The...

Sep 1, 2015 — As we pointed out last week, you probably can’t afford to own Bob Dylan’s lyrics, so here’s something a little more reasonably priced: Big Pink, the unassuming suburban house in upstate New York where, following a motorcycle crash in 1966,...

Aug 28, 2015 — Wim Wenders’s movie career has been a heck of a journey. The director, who turned seventy this month, was one of the prime movers behind New German Cinema in the seventies and, in the decades since, has gone on to...

Jul 23, 2015 — The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.