The Criterion Collection
Oct 4, 2011 — Masaki Kobayashi rejects the notion of individual submission to the group, condemning the hierarchical structures that pervaded Japanese political and social life in the 1950s and 1960s.
Sep 22, 2009 — 1967 was the year when a great divide opened between “pop” and “rock,” and when the burgeoning S.F. hippie subculture began to usurp the chirpier L.A. world of surf music and Sonny and Cher.
Essays
Nov 21, 2005 — Akira Kurosawa’s late masterpiece is a tragedy fed by Shakespeare, Noh, and the samurai epic; it shows human brutality, warfare, and suffering as if from the eye of a dispassionate God.
Sep 19, 2005 — When I was a teenage cinephile, in the mid-1970s, Masculin féminin was enormously significant to me. It represented France’s nouvelle vague of the sixties, with its youthful, anarchic spirit of freedom and spontaneity. It was in black and white and...
Jun 30, 2026 — The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...
May 8, 2026 — Jean Rouch said they created “a new cinematographic language,” and a retrospective touring North America begins in Toronto.
The Daily
Mar 2, 2026 — A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.
The Daily
Oct 20, 2025 — The Mexican director’s oeuvre, spanning half a century, is undeniably dark but also deeply humane.
The Daily
Sep 24, 2025 — She won the hearts of audiences and costars in The Leopard, 8½, and Fitzcarraldo.
The Daily
Aug 20, 2025 — He locked eyes with audiences in films by Pasolini, Soderbergh, Frears, Stephen Elliott, and Edgar Wright.