The Criterion Collection
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.
The Daily
May 26, 2023 — This year saw the return of Michel Gondry, a strong showing from New York, and a bittersweet love story from Georgia.
May 25, 2023 — One of the first hit movies made by an Asian American team, They Call Me Bruce confronts everyday racism with irreverent humor emblematic of its era.
The Daily
May 25, 2023 — Audrey Diwan’s jury spotlights emerging talents from Malaysia, Belgium, Serbia, and France.
The Daily
May 24, 2023 — Two of Cannes’s favorite directors, Aki Kaurismäki and Wes Anderson, return to the competition.
The Daily
May 23, 2023 — Anatomy of a Fall, May December, and About Dry Grasses are among the critical favorites in competition in Cannes.
The Daily
May 18, 2023 — A half-hour western, a challenging essay film, and a 3D portrait of a major artist premiere as Special Screenings in Cannes.
Apr 28, 2023 — One of Britain’s most celebrated playwrights talks about bringing her uncompromising exploration of racism and resistance to the screen.
The Daily
Apr 27, 2023 — The critic and filmmaker has put together a series that celebrates “a New York of the collective imagination.”
The Daily
Apr 18, 2023 — The selection of thirty films includes new work from Hong Sangsoo, Michel Gondry, Joanna Arnow, and Sean Price Williams.