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Cicciolina my love

May 21, 2018 W hether she’s pushing herself to new heights on stage and screen or nurturing her passions as a painter and poet, Juliette Binoche is as creatively voracious now as she’s ever been. Her combination of strength and disarming vulnerability as...

Dec 20, 2017 Over the past decade, contemporary Greek cinema has erupted onto the international film stage with a new vanguard of directors whose bold works share a taste for provocation and highly stylized worlds. This week on the Criterion Channel on FilmStruck,...

Feb 17, 2017 In 1970, legendary filmmaker Roger Corman founded New World Pictures, an independent studio that produced and distributed everything from B-movies and exploitation films to acclaimed foreign art-house fare by Federico Fellini, François Truffaut, and Ingmar Bergman. It became a breeding...

Feb 3, 2017 Over on the Criterion Channel, for Super Bowl weekend, we’re showing the first football movie ever made, Harold Lloyd’s crackerjack comedy The Freshman (1925), and the first rugby-football movie ever made, Lindsay Anderson’s heart-pounding drama This Sporting Life (1963). And...

Jul 6, 2016 The screenwriter and director chats about the origins of his 2015 debut feature, Les cowboys, the differing experiences of being a screenwriter and a director, and his voracious consumption of cinema.

Mar 25, 2015 Long unheralded and at last rediscovered, actor-director Robert Montgomery’s Ride the Pink Horse is one of the key Hollywood features of 1947, the year film noir flooded the screen like a ruptured reservoir of India ink. Adapted from the popular...

Feb 24, 2012 The writer reflects on the decades-long creative collaboration and friendship between his father, playwright and television writer Elihu Winer, and John Voelker, judge and author.

Mar 26, 2007 Across five films, the Swedish director defined his guiding themes and cinematic style.

Dec 28, 2022 We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.

Oct 25, 2022 One of the few American films of its era directed by a Black woman, Kasi Lemmons’s feature debut advances a critique of patriarchy and asks questions about gender and sexuality that still resonate today.

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