The Criterion Collection
Features
Mar 3, 2016 — By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.
Feb 25, 2016 — Actor, writer, and director Paul Schneider has long been a devotee of the Criterion Collection. His credits include films by Zhang Yimou, Warren Beatty, Christophe Honoré, Sam Mendes, and Woody Allen. Schneider won a best supporting actor award from the...
Feb 25, 2016 — Anderson’s intimate and moving nonfiction feature centers on the passing of her late, beloved terrier Lolabelle, using that loss as a starting point for a beautiful meditation on life, love, and death. To get a taste of the film, watch...
Feb 16, 2016 — In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
Jan 12, 2016 — In German filmmaker Wim Wenders’s high-strung thriller, adapted from two Patricia Highsmith novels, Dennis Hopper plays sociopathic con man Tom Ripley as a “hopped-up elf from hell” who works his charms on a winsome and guileless Bruno Ganz.
Jan 11, 2016 — In honor of the great cinematographer, our technical director shares some memories of encountering the man and his work.
Sneak Peeks
Jan 7, 2016 — View a clip from Lady Snowblood: Love Song of Vengeance, featuring actor Meiko Kaji in a scene that highlights the film’s dazzlingly choreographed combination of visual beauty and unflinching ferocity.
Tech Corner
Jan 7, 2016 — While in Tokyo to work on Akira Kurosawa’s 1990 film, our technical director got a glimpse at some of the filmmaker’s original drawings that he used to shoot the movie.
Jan 5, 2016 — Toshiya Fujita’s two-film saga set exuberant, manga-inspired martial-arts choreography against a backdrop of a Japanese society in transition to unfold a vivid tale of epic vengeance.