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In girum imus nocte et consumimur igni

Mar 3, 2016 By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.

Feb 25, 2016 Actor, writer, and director Paul Schneider has long been a devotee of the Criterion Collection. His credits include films by Zhang Yimou, Warren Beatty, Christophe Honoré, Sam Mendes, and Woody Allen. Schneider won a best supporting actor award from the...

Feb 25, 2016 Anderson’s intimate and moving nonfiction feature centers on the passing of her late, beloved terrier Lolabelle, using that loss as a starting point for a beautiful meditation on life, love, and death. To get a taste of the film, watch...

Feb 16, 2016 In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.

Jan 21, 2016 In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.

Jan 12, 2016 In German filmmaker Wim Wenders’s high-strung thriller, adapted from two Patricia Highsmith novels, Dennis Hopper plays sociopathic con man Tom Ripley as a “hopped-up elf from hell” who works his charms on a winsome and guileless Bruno Ganz.

Jan 11, 2016 In honor of the great cinematographer, our technical director shares some memories of encountering the man and his work.

Jan 7, 2016 View a clip from Lady Snowblood: Love Song of Vengeance, featuring actor Meiko Kaji in a scene that highlights the film’s dazzlingly choreographed combination of visual beauty and unflinching ferocity.

The Color of Dreams

Tech Corner

Jan 7, 2016 While in Tokyo to work on Akira Kurosawa’s 1990 film, our technical director got a glimpse at some of the filmmaker’s original drawings that he used to shoot the movie.

Jan 5, 2016 Toshiya Fujita’s two-film saga set exuberant, manga-inspired martial-arts choreography against a backdrop of a Japanese society in transition to unfold a vivid tale of epic vengeance.

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