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The Artist

Nov 15, 2011 You make films to give people something, to transport them somewhere else, and it doesn’t matter if you transport them to a world of intuition or a world of the intellect.Krzysztof Kieślowski said that he did not care about cinema,...

Jun 24, 1990 Some films have become famous simply because they’ve sold a lot of tickets. Others have major studio publicity machines behind them, the better to hog the spotlight. Still others earn their fame the hard way through genuine critical acclaim. But...

Nov 30, 2009 The following essay was originally written for Criterion’s website in 2005, on the occasion of the DVD release of Powell and Pressburger’s The Tales of Hoffmann. We have posted it here to coincide with BFI Southbank’s ongoing Hein Heckroth exhibition...

Oct 9, 2025 Legendary pop duo Sparks—the fifty-plus-year-long project of brothers Ron and Russell Mael—was formed in 1971. Earlier this year, they released their twenty-eighth studio album, MAD!, via Transgressive Records. Their latest release, the EP MADDER!, was released in October.Very few artists...

The actor joins the director of his new film The Piano Lesson in the Criterion Closet, where they shout out the importance of Menace II Society, reflect on the beauty of Jacques Demy and Agnès Varda’s artistic relationship, and praise...

Nov 20, 2018 In this video, the Oscar-winning director of The Shape of Water explains how the mix of terror and lyricism in Charles Laughton’s masterpiece went on to influence his own style.

Aug 18, 2022 This week’s announcements from Toronto and New York promise tantalizing world premieres and other highlights of the season.

May 2, 2022 MoMA and the Harvard Film Archive present a program of more than forty overlooked features.

Apr 29, 2022 This week swerves from the slick cinéma du look to the harshest punk noise.

Missing the Movies

The Daily

May 15, 2020 Directors, actors, and critics look back on their most memorable moments in movie theaters, and the BFI spotlights the best of Japanese cinema.

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