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Feb 7, 2019 — It’s an inauspicious beginning for festival director Dieter Kosslick’s farewell edition, but there’s much to look forward to.

Feb 6, 2019 — Ten forward-looking features and a few intriguing revivals will screen from today through Sunday in New York.

Feb 6, 2019 — On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.

Feb 4, 2019 — Performances The first movie that Nicolas Roeg and Theresa Russell made together, Bad Timing (1980), was denounced by its distributor, the Rank Organisation, as a “sick film made by sick people for sick people,” which may sound to some like...

Feb 1, 2019 — Rotterdam and Vanity Fair get a cinephile’s dream roster of filmmakers talking about their work.

Feb 1, 2019 — A cast of dolls and a rhino are featured in this year’s award-winners, and Steven Soderbergh has previewed his new film.

Jan 30, 2019 — An exhibition, a film series, and of course, If Beale Street Could Talk are markers of heightened interest in the writer, activist, and cinephile.

Jan 29, 2019 — In the Heat of the Night (1967) opens with an air of mystery, of outsiderness winding its way into the small town of Sparta, Mississippi, a place that right away seems heavy with a sense of what belongs and what...