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In America

May 25, 2017 “Leave it to Kiyoshi Kurosawa, our favorite director of B movies that look like art films (or are they the other way around?), to upturn the nostalgia for American blockbusters of the 1980s,” begins Daniel Kasman in the Notebook. “Japan’s...

May 22, 2017 “The Meyerowitz Stories (New and Selected) isn’t the wittiest or most exciting movie that Noah Baumbach has ever made, but it might just be the most humane,” writes David Ehrlich at IndieWire. “While all of his films have a cutting...

Jun 28, 2016 When Stanley Kubrick bought the motion picture rights to the 1958 thriller Red Alert, by the retired Royal Air Force navigator Peter George, he meant to direct an action film about a nuclear war triggered by a solitary madman. Some...

May 26, 2015 We were saddened to learn of the passing yesterday of Mary Ellen Mark, a great, world-renowned American photographer and a wonderful friend to Criterion. In honor of her extraordinary career, we thought we‘d share an excerpt from a recent interview...

Dec 9, 2014 Liliana Cavani’s tale of the sadomasochistic bond between an ex-SS officer and a former concentration camp prisoner is a transgressive take on history and fascism.

Jun 27, 2011 A rogue’s gallery of vituperative 1950s vixens and night-world tough-guy gargoyles all coalescing in a constellation of twinkling cold war lights, Robert Aldrich’s Kiss Me Deadly is a film of a thousand stars. Stars of every sort, size, and description:...

May 19, 2010 Plenty of ink has been expended over the years on the turbulent friendship between Jean-Luc Godard and François Truffaut, which helped define the French New Wave in the 1960s. Now those stories jump off the page and onto the screen...

Mar 17, 2008 During the Second World War, when Hiroshi Teshigahara was a schoolboy, Japan’s cities—above all his hometown, Tokyo—were mercilessly firebombed. He, and his future associates in countless artistic undertakings, returned to a landscape of bleak ruins. The adolescent Hiroshi was particularly...

Feb 11, 2002 Miloš Forman’s film is an amazing balancing act of subtle social satire and adolescent romantic longing, of blank despair and irrepressible hope.

Jul 9, 2001 With its dunderhead millionaires, erudite bums, effulgently dysfunctional families, and beneficent providence, My Man Godfrey is the Depression comedy par excellence. It is also, superficially at least, a movie about the Depression. A suicidal millionaire regains his zest for living...

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