The Way of the Househusband: The Cinema

Dec 12, 2019 — Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...

Apr 5, 2017 — At eighty-eight years old, Agnès Varda is still blossoming as an artist. Long known primarily as a filmmaker, a vocation she took up more than half a century ago, the French iconoclast is now in what she gleefully describes as...

Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

May 31, 2013 — Did You See This?• A rare Hitchcock photo film • Fitzcardboardaldo—the title doesn’t do it justice. • A tip of the hat and a fist in the pocket to Lou Castel • Richard Linklater and James Benning together at last—with...

Mar 21, 2012 — The famed collaboration between director Mikhail Kalatozov and cinematographer Sergei Urusevsky, which, with its distinctive combination of effective melodrama and a wild, powerful visual style, helped make Kalatozov the most successful Soviet cinematic export of his generation, in fact spanned...

May 15, 2000 — Vagabond has been called Agnès Varda’s Ulysses, and with good reason. The comparison with James Joyce’s era-defining epic novel extends well beyond a recognizable similarity between the two artists. Both writer and filmmaker occupy vanguard positions in the history of...

May 22, 2023 — Drawing freely from the novel by the late Martin Amis, Glazer emphasizes the horror of what we do not see.

Sep 7, 2022 — The first reviews are in for new films by Martin McDonagh, Joanna Hogg, Emanuele Crialese, and Koji Fukada.

Feb 8, 2019 — He became a star in Britain’s “angry young men” era, but some of his best work would come decades later.

Jul 30, 2018 — Retrospectives of the French master’s work are playing in New York and Berkeley, with Washington to follow in September.