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The Four

Jun 17, 2025 Drawing from over a dozen hours of black-and-white footage, Direct Cinema pioneer Charlotte Zwerin created this elliptical and moving portrait of one of American music’s most original artists.

Sep 29, 2020 Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...

Nov 8, 2018 California’s Berkeley Art Museum and Pacific Film Archive celebrates one of Italian cinema’s great perfectionists with a screening of Senso.

Nov 14, 2011 In 1989, the Communist rule that had dominated Eastern Europe since the end of the Second World War collapsed with astonishing rapidity. If the long-term political, economic, and ideological consequences of Europe’s reunification are still unfolding, there was an immediate...

Jun 29, 2010 Photography, the basis of cinema, is also the foundation of Jan Troell’s Everlasting Moments. The Swedish title of Troell’s feature, his fourteenth, translates as Maria Larsson’s Everlasting Moments, which alludes to the photographs taken by its lead character, images of...

Apr 13, 2010 Indefatigably political Italian filmmaker Gillo Pontecorvo, best known for 1966’s truly revolutionary The Battle of Algiers, once stated that “the ideal director should be three-quarters Rossellini and one-quarter Eisenstein.” Certainly, one can see traces of the work of both of...

Pulp Fiction

Essays

Jun 10, 1996 Ever since Quentin Tarantino’s Pulp Fiction created a sensation at [this year’s] Cannes Film Festival, where it won top honors (the Palme d’Or), it has been swathed in the wildest hyperbole. In fact, it has sparked an excitement bound to...

Jun 9, 2025 Within the past few days, we’ve lost a vital film historian and a vibrant artist.

Jun 25, 2024 Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

May 24, 2018 Let the celebrations begin with a series in New York, a season in London, and a new restoration.

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