The Criterion Collection
The legendary musician, filmmaker, and visual artist talks about The Color of Pomegranates and how it challenges the idea of what a film can be, shouts out Neil Young’s Dead Man score, and shares his affection for the sentimentality in...
The filmmaker cites All That Jazz as a major influence on modern editing, reveals the connection between Memories of Underdevelopment and Trainspotting, and shares his theory on why a director’s first film is always their best.
The director of Compensation shares what Bruce Lee’s films taught her about cinematic movement, praises Sarah Maldoror’s revolutionary Sambizanga, and shouts out filmmakers she loves, from Cauleen Smith and Cheryl Dunye to Alice Diop and Ousmane Sembène.
The actor joins the director of his new film The Piano Lesson in the Criterion Closet, where they shout out the importance of Menace II Society, reflect on the beauty of Jacques Demy and Agnès Varda’s artistic relationship, and praise...
This Canadian filmmaker is widely regarded as the master of body horror, and his visceral explorations of sex and technology challenge our preconceptions of reality.
The writer-director talks about how Federico Fellini and John Waters gave him the passion and confidence to become a filmmaker, shares his poignant experience watching Claudine as a young man, and selects favorites such as Pickup on South Street, Do...
The acclaimed actor shares his deep connection to Onibaba, praises Isabelle Huppert and her performance in The Piano Teacher, recalls Gate of Flesh’s influence on the Wooster Group, and selects a few of his collaborations with Wes Anderson and Martin...
The duo behind Everything Everywhere All at Once take home some of their favorite films, with a special focus on wildly stylized genre movies that reflect their own aesthetic sensibility.
The Daily
Jun 10, 2026 — Early reviews of his thirty-fifth feature may be all over the place, but appreciation of the man himself is universal.
The Daily
Feb 5, 2025 — Starring Ben Whishaw and Rebecca Hall, the film is a vivid record of the art life in 1970s New York.