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There Is No Evil

Jun 14, 2023 In her deeply empathetic documentaries, the British filmmaker illuminates the lives of ordinary people who have quietly created new identities and possibilities for themselves.

Oct 18, 2022 Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.

Oct 15, 2020 Songbook According to Kraftwerk member Wolfgang Flür, it was toward the end of the group’s first U.S. tour when his bandmates Ralf Hütter and Florian Schneider grew fascinated by the phenomenon of American radio. Their time in the States had...

Dec 23, 2019 Fear and desire lie at the heart of Peter Strickland’s cinema, whether he’s exploring those themes through the sonic, the sexual, the sartorial, or some diabolical combination of all three. With his masterful sense of film technique, the British director...

Jan 20, 2018 We begin with April Wolfe, writing for Film Comment and introducing us to Maxim Pozdorovkin and Our New President, which “tells a thrilling, scary, mind-bending, and often-hilarious story of Russian propaganda’s role in the 2016 U.S. presidential election, constructed almost...

Nov 2, 2017 In the Village Voice, Bilge Ebiri looks back to the day in 1992 when, as a college freshman, he dropped everything, skipped his classes, and took a train from New Haven to New York to see a movie: Orson Welles’s...

May 12, 2016 When director Amy Heckerling visited Criterion, she reflected on her days as a struggling filmmaker, the allure and disappointment of moving to the West Coast, and her love for old-Hollywood actors.

Dec 9, 2015 With Jellyfish Eyes, Takashi Murakami’s creature feature made in the aftermath of Japan’s 2011 earthquake and nuclear crisis, the international art superstar brings his transcultural vision to the lineage of artist-filmmaker crossovers.

Apr 25, 2012 Pearls of the Deep: Alumni AssociationIn the mid-1960s, there was a brief window during which a remarkable cinema of ideas and visual experimentation flourished in Communist Czechoslovakia. This fecund period lasted approximately five years, from 1963 to 1968, when it...

Jan 14, 2009 Gregory Nava, with his writing partner and producer, Anna Thomas, made the courageous decision to tell their story of a cold-war battleground from the point-of-view of the colonized “natives,” eschewing an English-speaking protagonist.

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