The Criterion Collection
Mar 26, 2012 — A Night to Remember, the 1958 British film adaptation of Walter Lord’s 1955 book about the brief life and agonizing death of the Titanic, has proven unsinkable. With its Olympian yet unfailingly life-size view of the disaster that scuttled illusions...
Essays
Aug 24, 2010 — I n a photograph of Josef von Sternberg from 1937, he looks like a character from one of his own films: a turbaned magus with elegantly trimmed beard and mustache, holding a cigarette as he gazes out obliquely, with the...
May 18, 2010 — Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.
Mar 16, 2010 — More than a decade after his death in 1997, the moment is right for the rediscovery of the work of Marco Ferreri. “I think he’s modern. More than modern, in fact,” frequent collaborator Marcello Mastroianni once remarked, encapsulating how far...
Sep 10, 2009 — Is That Hamilton Woman, starring Vivien Leigh and Laurence Olivier at their most heart-stoppingly beautiful and mutually enraptured, one of the most romantic movies ever made because or in spite of the fact that it was designed as propaganda? It...
Features
Jul 8, 2009 — I’ll never forget that first step on the moon. I was at the home of a high school classmate in Fort Worth on the evening of July 20, 1969. The Eagle had landed that afternoon, and we’d been waiting for...
Jun 4, 2009 — Apparently, a group called the Secret Science Club threw a pretty happening Painlevé party in Brooklyn a few weeks ago. Seems we weren’t on the guest list (well, it is after all “secret”), so it’s a good thing that the...
May 14, 2009 — Here’s a definite must-read: in its latest issue, Bright Lights Film Journal features André Bazin’s essay “Fifteen Years of French Cinema,” in its first-ever English translation (by Bert Cardullo). Originally delivered as a lecture in 1957, and later published in...
May 11, 2009 — Novelists learn not to expect too much when their books are made into movies. Obviously, great fiction has been turned into great cinema, but the dents and scrapes that so many classics have sustained on the rocky road from the...
Jul 21, 2008 — Akira Kurosawa’s modern adaptation of an American thriller represents a departure from his usual themes and stylistic choices.