The Criterion Collection
Oct 25, 2013 — "I“m not acting,” stage star Myrtle Gordon (Gena Rowlands) tells her bemused director after a violent episode with her ghostly muse in Opening Night. That’s a loaded claim to be making in a movie that so conclusively smudges the line...
The Daily
Aug 14, 2025 — MoMI presents a series of films that might be found in the neighborhood of Ari Aster’s fourth feature.
The Daily
Feb 9, 2024 — We’re taking Black History Month viewing recommendations, listening to Peter Bogdanovich’s podcast, and reading about London critics’ favorites.
Jan 31, 2023 — In this shape-shifting exploration of creativity, couplehood, and artistic influence, Mia Hansen-Løve offers a glimpse at the existential heavy lift required by her deceptively simple autofictions.
The Daily
Jun 1, 2017 — “The greatest filmmakers, like the greatest novelists and poets, are trying to create a sense of communion with the viewer,” writes Martin Scorsese in the new issue of the TLS. “They’re not trying to seduce them or overtake them, but,...
Jan 17, 2005 — Along with Touchez pas au grisbi and Le Trou, Casque d’or is now widely recognized as the summit of Jacques Becker’s achievement as a filmmaker.
The Daily
Mar 17, 2026 — Film at Lincoln Center presents a series of films leading up to the U.S. release of Miroirs No. 3.
Nov 19, 2018 — Billy Wilder proves himself one of cinema’s greatest pleasure seekers in this irresistible confection, a landmark of Hollywood comedy.
Dec 4, 2020 — Forty years after her death, people still imitate Mae West’s voice: that slinky contralto drawl that hit each Brooklyn-inflected vowel like a cab driver leaning on his horn. The voice would be memorable even if she had by some wild...
The Daily
Jul 1, 2026 — BAM’s thirteen-film series dips into chapters of American history that tend to get overlooked on Fourth of July weekends.