Mar 29, 2022 About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...

Mar 28, 2022 Despite wins to celebrate, the Oscars got off on the wrong foot—and then took a turn for the worse.

Mar 7, 2022 Maggie Gyllenhaal’s first feature as a writer and director wins three top prizes—and praise from novelist Elena Ferrante

Feb 24, 2022 Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.

Jan 31, 2022 What have the critics been saying about this year’s winners?

Jan 25, 2022 By repeatedly staging the death of the filmmaker’s father with tragicomic flair, Kirsten Johnson’s hybrid documentary grapples with the realities of dementia and finds grace.

Jan 11, 2022 A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.

Dec 8, 2021 One of the liveliest and most perceptive cultural critics is gone at sixty-four.

Dec 7, 2021 Regina King’s feature-film directorial debut envisions the true-life convergence of four prominent Black figures with empathy and moral urgency.

Dec 6, 2021 It was a good weekend for Drive My Car, Lady Gaga, and Aleem Khan’s debut feature.

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