Everly

Oct 3, 2025 — Among them are the latest from Claire Denis, the return of Daniel Day-Lewis, and a dazzling restoration.

Oct 2, 2025 — In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.

Sep 30, 2025 — Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.

Sep 29, 2025 — Notes on new studies of David Lynch and Stanley Kubrick and biographies of Jane Birkin and Terrence Malick.

Sep 25, 2025 — So far this year, no other movie has been as enthusiastically reviewed as Paul Thomas Anderson’s One Battle After Another.

Sep 24, 2025 — She won the hearts of audiences and costars in The Leopard, 8½, and Fitzcarraldo.

Sep 23, 2025 — A tale of animal survival in a world deserted by humanity, Gints Zilbalodis’s Oscar-winning triumph casts a hushed spell with its elemental storytelling, immersive visual style, and creaturely subjectivity.

Sep 23, 2025 — Josh O’Connor stars in the heist movie that slips into another genre entirely.

Sep 22, 2025 — The director of the documentary Celluloid Underground discusses his life as a curator, Iranian film culture, and the inherent ephemerality of cinema.

Sep 19, 2025 — A week of pairings: Two films by Chantal Akerman, two essays by Serge Daney, Mike Figgis on Francis Ford Coppola, and Nadia Latif on Mira Nair.